Wednesday, August 26, 2015
...said the dude in the plague-doctor mask to the gal in the hog-tie face cage.
Ride For Revenge, with their clang and buzz, their sturdy, insistent mid-tempo declarations of Satanic love, opened our horrorcast™ last night with an extended epic that highlighted all their thudding, grubby mastery. ...Listeners also liked 80s-vintage slimy electronics from Master/Slave Relationship and Cat Rapes Dog.
Personal highlights included "Watchin' You" from Kiss ALIVE! (a formative album that led to "stronger stuff" for me); another track from the Kristallnacht Tour de Garde collection (2010, though currently in heavy rotation here @ home); fantastic, new One Master; great, new Sapthuran on Vanguard Productions cassette; tracks by Indricothere | Ramlord | Cherubs (brand fucking new!) | Ground | Clocked Out (LP on At War With False Noise) | ...and thoughtfully reissued classic Kraut-electronics from Conrad Schnitzler (rare interview airs tomorrow on WFMU's Strength Through Failure.)
Our still this week, which inspired great reaction & inquiry, is from a film called The Poughkeepsie Tapes, a "found-footage," serial-killer torture-captivity film on which my personal jury is still out...quite a compelling image, though.
Paul Bruno fills in next week, providing lubricious entertainment. See you in 2.
Wednesday, August 19, 2015
What have we learned? YOUR HOST, AND "PEOPLE," LIKE GARY NUMAN. More to come on that exciting revelation. ...
What else? New Drainolith [made even more exceptional by the contributions of Nate Young and Neil Hagerty; and two songs by a swell band I just saw for the first time, Ground from Southern NJ.
Our still this week comes from the unashamedly chessy-but-hits-all-the-right-notes Stitches, by director Conor McMahon, who's made some other promising features, like the peat-bog Nosferatu meditation From the Dark...but also seems yet to make his masterpiece.
Click on Clown-With-Wound above, to reach the audio archive for last night's horrorcast™.
Wednesday, August 12, 2015
"Not false" was the watchphrase for the evening, a "good, old-fasioned" Castle show; TWO ABSOLUTELY FLOORING sets from Encounters, fierce chunks of necromancy, electric and vibrant. Todd W. (Husere Grav), our guest several times previous (and one of my favorite people in the world) and Raj (aka FRKSE, of the great Divergent Series label) kept great company, and we reveled in horror-ciné talk, wholly in its place on My Castle of Quiet...a conversational thread I'm always interested to explore, and something I'm always happy to have more of on the show (the music is great, it's why we assemble, but it will also "keep.")
"I'd watch Lance Henriksen make a peanut butter sandwich!"
Great to see and converse with good people, thus rebooting one's very interest rolling out of bed in the morning. The occasional discourse on Roger Watkins, Necrophagia, Jim Van Bebber and Amityville II: The Possession is good for the soul—my soul, at least.
Playlist comments were light, though my opening bridge of Bauhaus-into-Shellac (into the great Italian Catholic-guilt purveyors Father Murphy) seemed to garner some appreciation. Newer sides by Belus, Welkin Dusk and NYC psych-freakout guides Pulcinella were among other high points.
Much gratitude to Encounters for their intense performance(s)! You can hear their sets, and the full program archive by clicking above, on our weekly screen capture from The Raid: Redemption (also discussed in our circling film-appreciation table talk.)
Thanks for listening. Back next week...
Wednesday, August 5, 2015
...or unholy crap, as may be appropriate.
I've been extraordinarily lucky, since returning to WFMU's weekly air in 2009, in that my show quite often falls on or proximate to my birthday. What could be better than being able to put out 3 hours of concentrated music appreciation on one's anniversary of birth, the "highest of all holidays in the Satanic religion"?
Of course, the mighty frontispiece of last night's My Castle of Quiet program was our live set by the great Volahn, making their third visit to The Castle—an outstanding charge of supreme black slaughter of the very highest order. Volahn are always surprising, I'm always floored by their meta-level musicianship and the sheer power and force of their performance. This time, their set was recorded to multitrack, with live mix and outstanding post-production work by JP Gautreaux, enhancing / preserving all the energy with an album-like feel. Couldn't be happier!
Also making the greatness even greater was the live debut of International Mrs. & Mr. Leather, in our last hour; two great, talented people I really admire; a heavy electronics performance rendered in-the-moment, right there next to me in WFMU's Studio A. Strong, heady, steamy stuff. Plus they brought cake.
In betwixt the live KOs, our usual array of thorny releases / recordings, new and old, including: vintage Nuit Noire, new on LP from Seedstock; more greatness from the It Follows OST, by Disasterpeace; bracing, blackened selections from Ramlord, Arcanus Tenebre, Arizmenda, Nocturnal Blood and others.
Hear it all by clicking above, on the frenzy of psychedelic, tentacular love captured from The Dunwich Horror (1970.)
NEXT WEEK: YET MORE LIVE MUSIC FROM ENCOUNTERS!!
JOIN Encounters Facebook event
Wednesday, July 22, 2015
Something wells up in me every week, after so many years of doing this, like a nicotine fit of music I need to share. Such was the case last night as I hovered expectantly, BonChon Chicken (Korean style fried) of Jersey City providing some delicious, momentary diversion from my "keen to roll" state. After missing the pgm last week, and what with our show two weeks ago being built around the earthy bliss of Circuit des Yeux, what we got this week was a blast of "TRUE KVLT," much of it on cassette. ...
We confirmed that Veles were indeed from Poland (I was sure, but I feigned doubt) and I strongly suggested that you all see The Redeemer. That was about it; always personally cathartic for me, and I hope engaging/energizing for the listeners.
One thing I particularly liked was the old Holocaustus track; Holocaustus and Flammentod being the same person (and both inactive since 2011), both projects' discographies worth owning, if you're a fan of stuttering, lurching, power-riff laden, home-studio European NSBM, which I am.
New tracks from Oppression, Kavra and Urðun stood out as enthralling listens, as did slightly older songs from Swallowed, Arizmenda, Glass Coffin and Harassor. GREAT new punk singles from Black Panties and Slugga ...In our last set, digital albums by Spiteful Womb and Throudos are currently in heavy rotation here at home.
The REALLY BIG NEWS?!?
NEXT WEEK: SUE P. / SOLID GOLD HELL FILLS IN
IN TWO WEEKS: LIVE MUSIC FROM VOLAHN
IN THREE WEEKS: LIVE MUSIC FROM HUSERE GRAV / FRKSE (more info tc)
GREAT SHOW this Sunday night @ Lucky 13 Saloon in Brooklyn, with Ramlord, Dumal, Ozama
Volahn / Hand of Glory / T.O.M.B. Thursday night @ The Acheron
That is all. Click on this week's still, from Dracula Has Risen From The Grave, to stream the archive, and see the playlsit of last night's horrorcast™.
Wednesday, July 8, 2015
Last night's My Castle of Quiet was, with a few exceptions, an expression in larger chunks—big, fat slices of sound, that reap the horizon and challenge pop attention-spans.
And though Circuit des Yeux's gorgeous set was technically speaking a collection of songs (those themselves assembled of even smaller song sections), I know for sure that this nuanced, human music will live on in my memory as a complete vision, as the melodies and lyrical phrasings waft in & out of my head over the years, probably forever. I really cannot praise the artistry and subtlety of this session enough, while the sounds remain firmly stood in an arena of attainability and "earthiness," very gettable to anyone who would listen. It's the rare artist that can truly present themselves bare (in song as in music videos), and last night we got a 25-min. window into a rare and humble gift. Thanks to Lily @ Thrill Jockey for making the live set happen; more details, and promotional videos for the new Circuit des Yeux album, In Plain Speech, here.
Haley Fohr quite simply writes great songs, the kind of songs that glide over taste and genre barriers into some universal shared experience. Circuit des Yeux's fans will notice how this live performance has its own unique character and arrangements, set apart from recorded/released versions of these songs, making this session a stand-alone musical event, which is, most often, what we DJs *wink-wink* want from our musical visitations (as opposed to a "straight read.") Ultimately, this performance doesn't even sound like a "radio set," and gives more like an "album."
A few lumps of praise heaped upon our special guests in the moment; many more to come, I imagine, as listeners investigate the program archive (linked to the picture above), and the Circuit des Yeux session's eventual posting to our Free Music Archive. Huge thanks to Haley and Ryan, and to live-sound engineer Jean Paul Gautreaux—it all came off swimmingly.
Listeners also praised: the mammoth album side from the doubly mammoth No Closure, by Scott Miller / Lee Camfield / Merzbow, released on LP by Dead Section Records in Denmark | the staggeringly good "Lost Causes," from the flawless new LP, Perfect World, by Uniform ...other, personal highs, apart from last night's powerfully resonant live set, included: a crushingly "on" tape side from Pregnant Spore (JML) | Tony Tears vinyl issue on Universal Consciousness | more Volkmort | Clocked Out LP on At War With False Noise | Night cs on Vanguard Productions | an unreleased, Kraut-monolith from Death Factory.
Taking a break next week; Bill Mac will be filling in.
My Castle of Quiet returns in two weeks, invigorated, most likely with a belly full of metal.
Wednesday, July 1, 2015
Our special guests last night, Unholy Two, are one of the great, contemporary examples of why DIY-rock of great fortitude remains and will remain as a persistent deer tick on the neck of rock 'n' roll. When you put the needle down on a record like Talk About Hardcore, you just know—your ears tell you, this band's purpose is righteous, their music made in earnest, and of a need to do so—the best punk rock being borne of necessity and the need to make a large statement that wasn't there before.
Thanks again guys (and gal), it was great to meet you & you're welcome back any time at WFMU and My Castle of Quiet. Link to the audio archive and playlist for last night's always-unholy horrorcast™ by clicking on the tender moment depicted above, from Michele Soavi's Cemetery Man (aka Dellamorte Dellamore; thoughtfully detailed Wikipedia page at that link), a beautiful and comedic horror-parable of uh, yeah, love and loss...cliché but in this case, very true.
...Also making headlines on last night's playlist were Volahn, from their landmark double LP Aq'ab'al, a real album, like bands used to make, that will reveal new layers of greatness every time you listen. Looks like Volahn will be paying their THIRD visit* to The Castle at the end of July, date tba | Serpentine Path | Bethlehem | EEK with Islam Chipsy (on the great Nashazphone label)
*Black Twilight Circle tour on McoQ 2011
*Anahuac Tour w/ Verglas 2013
Next week...MORE great live music with Circuit Des Yeux (currently on tour)!
Wednesday, June 24, 2015
Not one single comment or question on last night's MCoQ screen capture, which tells me that anyone paying attention just rolled with the concept of pounding one out to the sight of a "fresh," well-built female zombie, who's got you trapped in your car—just what any red-blooded, hetero-perv would do in that situation, right? This scene from The Battery took me initially by surprise, but as it progressed before my eyes, rendered in such a naturalistic fashion, I had to admit, "yeah, that's probably what I'd do, too." In a post-zombie-apocalypse world, one must carpe diem for even the most marginal boy-girl activity.
Playlist-comment notices came early on for The Night Terrors and Volkmort, the latter a great Brazilian doom / sludge record that I just can't get enough of (tape available from Wohrt.)
Personal highs: new Night Bitch 10" | 2007-vintage Ash Pool | Nudity LP on Iron Lung Records | StarGazer | Spiteful Womb | Blood Rhythms
My Castle of Quiet joyously returns to our presentation of outstanding live music, for the next two weeks...
Live sets upcoming from Unholy Two, next week! [Facebook event]
and Circuit des Yeux [8th July]
Click on the image above for full audio archive, playlist and comments for this weeks horrorcast™.
Wednesday, June 17, 2015
LINK TO THIS WEEK'S MCoQ ARCHIVE BY CLICKING ABOVE; MORE REASONS TO "TRY OUT" DEATH, AND THE MOST-SUITABLE SOUNDTRACK TO ACCOMPANY YOUR JOURNEY. FEATURED: SEVERAL TRIPS TO FRANCE, MOSTLY FOR DANK, BASEMENT DOOM ... A SPRY PUNK/BLACK SET, ENDING THEN, IN AN ELEVATED CAR-WRECK OF HARSH & TRANSCENDENT SOUND (DEFUNTOS>>ENBILULUGUGAL>>FACIALMESS>>ÂMES SANGLANTES), COMING FINALLY TO A SLOW HALT IN THE VAST, CEREBRAL LANDSCAPES OF MORTON FELDMAN (WITH SPINNING CAT VIDEO, I SHIT THEE NOT!) MY RECORD OF THE WEEK, VOLKMORT'S TRACES OF DOOM, IN STOCK @ WOHRT RECORDS.
I understand much better now why Christopher Lee was so stoic; having revisited his bio, I'm reminded that he was an Intelligence Officer and soldier in WWII. Here's a quote: "I've seen many men die right in front of me - so many in fact that I've become almost hardened to it. Having seen the worst that human beings can do to each other, the results of torture, mutilation and seeing someone blown to pieces by a bomb, you develop a kind of shell. But you had to. You had to. Otherwise, we would never have won." It's not just any man that can effectively play Count Dracula.
Wednesday, June 10, 2015
Zo ... last night's Castle was metal-heavy, as is often the case, but even more so when I take a week off for special programming—a metal "log-jam" is created, that demands address.
Playlist notices for Krieg [split with Ramlord] | Haat [2002 LP] | A.M.S.G. [!!!] | ...and our last set, featuring new Haare | Deviation Social [reissue on Dais] | Circuit des Yeux [our guest next month!] | and the It Follows original electronic score by Disasterpeace.
Personal highs included new black metal from Erraunt | a great track from Lydia Lunch Retrovirus / Urge To Kill | new Akitsa [!] | new Askeregn [!] | the great Lascowiec ...
If you've been following these posts at all, you know where clicking on James Franco in gangsta drag will take you ... thanks for listening.