My Castle of Quiet; an unplanned and unwanted vacation, though it does sort of guarantee a "fresh" return. New corpse on the slab, only been in the river about a day.
I had my own little blast with the opening few tracks—John the Postman mumbling about "the wrath of Astaroth," and Nick Cave howling, "come my executioner, come my bounty hunter, come my county killers, I cannot run no more!!" -all seemed very relevant in light of national and local events, with both the FDR and Lincoln Tunnel closed by street protests as the show began. And "The Return of Darkness and Evil," well, trouble is it never really went away! ...I'm no activist, certainly not a soapbox-stander, but if our courts keep telling our Black citizens that our police can shoot them dead with absolute impunity, that sets a horrible standard on both ends; cops will never think "de-escalation, or 'shoot to apprehend'" and Black people, quite honestly, how could they NOT think, "I am a target. My family will be left alone, with only Civil retribution / compensation to pursue"; NEVER vindication, never for the Black man, and it makes me ill just thinking about it, because it promotes ongoing unrest and disharmony, amd tells our Black citizens that their lives are worth less. ...I hope people stay PISSED OFF for a long time, long enough that actual change and awareness seeps into the thick American skull.
Back to the safe environs of The Castle, playlist notices went to John the Postman's Black Widow rendition, from the highly underrated (and woefully un-reissued) The Disparate Cogscienti, a 1988 compilation rolled together by The Fall's Mark E. Smith, with a solid representation of all types of gleefully bent, smart, wholly-unheard-up-to-that-moment UK and American pop. (We heard from the collection again later in the show; God with "Sounds Like Thunder.")
Also "trending" on our playlist were our live guest(s), rescheduled from last week, Thomas Carnacki—a simply excellent live set, wholly Castle-appropriate, with much haunt and much gloom; I only wish that I had been there to experience it in person. Thanks to Jean Paul G. for making the session recording happen—he's a dedicated, enthused, talented engineer, who goes the extra mile, in our impressive roster of extra-mile-going WFMU audio engineers.
Also of much discussion, a film that's come up before in our playlist chats—1979's Tourist Trap, a bizarre, B-budget affair, with effective dread and a wealth of eerie, deadpan scenes that prove Soylent Green's Chuck Connors could really do something in front of a camera. Must remember to load this one up, and scout for a few choice captures.
Also of note, a track I liked so much I ripped it from YouTube by R. Nikolaenko. I highly recommend that you check out his YouTube channel and subscribe to it; his music, the keyboard-based pieces especially, are PURE CASTLE HEAVEN.
More playlist notices went to: Of Blood and Oak; a howling, caterwauling cassette of Vinlandic harsh noise, wholly infectious, from Vanguard Productions; and that curious, hypnotic, and right brilliant Black Hat album, Thought of Two, more wholesome, colorful elec.-noise-improv goodness from Hausu Mountain, who have also released our good friends' Grasshoppers' monumental new LP, Dark Sabbath: Symbols of Evil. Both records, quite honestly, are musts-to-own for the fully tuned-in Castlehead. [Ghop's second MCoQ live session, from this past August]
Maria's luminous dolls, up at the top, will take you to our lengthy, schizophrenic comments board, our playlist, and archived audio for last night's horrorcast™.
Coming soon, my end-of-year 2014 music and movies list; thoughtfully stewing now.
Wednesday, November 26, 2014
Wednesday, November 12, 2014
Every once in a while, the My Castle of Quiet radio program gets away from me, becomes sentient, and doesn't need my help to achieve its aims. Last night was such a night; and an analogy that might make sense to many of you...it's like hitting that "sweet spot" during an improvised music session, and you suddenly find yourself dancing just a few inches off the ground, and the "art," regardless of your hands-on participation, is much like Israel, in that it can well handle things itself. Ha!
Perhaps this had more than a bit to do with the fact that opening with "Reek of Putrefaction" (just one example, from a three-hour broadcast) chose itself, the idea-to-airwaves process temporarily airlifting me out of the situation, and as I type, I'm realizing that this is all just a long-winded way of saying I was "in the zone," but I do dislike falling back on clichés!
Playlist notices for vintage, live Black Sabbath, and once again, that phantasmagorical new LP by York Factory Complaint, Lost in the Spectacle.
Personal highs included a 2006 track by Swedish legends Unleashed | a track from the all-new Raspberry Bulbs album (!) | new Laster, on Broken Limbs cassette | an 11-min. compilation track by Hivelords (thanks, Dan!) | another song from the great, Zavod full-length | something from the Old Forest 1998 EPs, compiled and released on tape by Tour de Garde | a selection by terror-soundtrack-style maestros Mega Drive | Highgate, from the split with Venowl on Tartarus Recs. | and something from The Viewer cassette by Puce Mary.
Our still this week comes from Noboru Iguchi's colorfully absurd and bloody comic-book of a movie, Mutant Girls Squad, keeping the Japanese film tradition of "heavy flow" intact. Click on the unfortunate baker, to reach the audio archive and playlist for last night's horrorcast™
NEXT WEEK: MCoQ KICKS OFF THE NEW WFMU SCHEDULE, WITH LIVE MUSIC FROM THOMAS CARNACKI! (Facebook event)
See you then!
Wednesday, November 5, 2014
Deep discussion last night, of time zones, gas-mask fetish, and Rob Zombie movies. Newfoundland is half off. Dollar drafts every Tuesday from 5-7. Castle fun! One never knows what arcane, or pop-culture tangents WFMU's message boards will take!
Straightaway, I love the new Laster—it's everything a modern, black metal album should be—with song craft, ambient / piano diversions, some slower tempos to balance the always-present blast beats, and a hearty dipping into the shoegazer-gloom past. Highly recommended!
Praise on our playlist also for: One Dark Eye | A Pregnant Light (we heard an older track, though a new release looms as well) | 80s collage / concréte icons P16.D4 | Primitive Man, from the split 10" with Hexis, on Halo of Flies.
Not much more to add @ present, except to say thanks again for your pledges / support last month! The Castle forges ahead, blades drawn!
Click on Sheri Moon Zombie, atop a pile of sister-witches, in the climactic scene from Lords of Salem, to reach the playlist and audio archive for this week's horrorcast™.
In two weeks: LIVE PSYCH-SOUND CREATIONS FROM THOMAS CARNACKI!